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Bandito il concorso per 10 posti all’Opificio (Fi)

Concorso pubblico, per esami, per l’ammissione di 10 allievi, al corso quinquennale della Scuola di Alta Formazione nel restauro dell’ Opificio delle Pietre Dure di Firenze, per l’anno accademico 2010/2011.

Saranno dieci gli allievi della Scuola di alta formazione per il restauro dell’Opificio delle Pietre dure di Firenze. Gli studenti verranno formati per cinque anni da una delle eccellenze internazionali nel campo del restauro. Il superamento del corso, articolato in 300 crediti formativi, abiliterà allo svolgimento della professione di restauratore, secondo le norme disciplinate dalla recente riforma, e conferirà un titolo equiparato al diploma di laurea magistrale. Tre saranno le prove per l’esame di ammissione: in seguito al superamento di una prova grafica e di un test attitudinale, si potrà accedere all’esame orale che misurerà la conoscenza delle opere d’arte.

I 10 posti a concorso saranno così suddivisi:
* manufatti dipinti su supporto ligneo e tessile; manufatti scolpiti in legno; arredi e strutture lignee; manufatti in materiali sintetici lavorati, assemblati e/o dipinti: 6 posti
* materiali e manufatti ceramici, vitrei, organici; materiali e manufatti in metallo e leghe: 4 posti.

La scadenza per la domanda di ammissione è fissata per il 3 giugno 2010.

Clicca qui per leggere il bando di concorso.

Fonte: MiBAC

Job: Professor of Art History in Freiburg

The position of a professor of the Art History Department at the University of Freiburg/Breisgau in Germany will be vacant in 2011.

STELLENAUSSCHREIBUNG: Am Kunstgeschichtlichen Institut der Albert-Ludwigs-Universität Freiburg ist eine W3-Professur, Vollzeitstelle, Eintrittstermin: 01.04.2011, (ohne Ausstattung) für Kunstgeschichte der Frühen Neuzeit mit Schwerpunkt in den bildenden Künsten (Malerei/Skulptur) wiederzubesetzen. Erwartet wird methodische Kompetenz, Interesse für bildwissenschaftliche Fragestellungen und Engagement in den bestehenden bzw. in den im Aufbau befindlichen, interdisziplinären Lehr- und Forschungsverbünden. Das Fachgebiet ist in allen Studiengängen zu vertreten.

Einstellungsvoraussetzungen sind ein abgeschlossenes Hochschulstudium, Promotion, Habilitation oder gleichwertige wissenschaftliche Leistungen sowie pädagogische Eignung. Die Beteiligung an Aufgaben der akademischen Selbstverwaltung wird erwartet. Die Stelle ist unbefristet. Die Vergütung erfolgt nach W3. Die Universität strebt eine Erhöhung des Frauenanteils an und fordert ausdrücklich entsprechend qualifizierte Frauen zur Bewerbung auf. Vollzeitstellen sind grundsätzlich teilbar, soweit dienstliche oder rechtliche Gründe nicht entgegenstehen. Schwerbehinderte werden bei gleicher Eignung bevorzugt eingestellt.

Bitte bewerben Sie sich mit den üblichen Unterlagen unter Angabe der Kennziffer 7101 bis spätestens 02.06.2010 unter folgender Adresse: Albert-Ludwigs-Universität, Dekanat der Philosophischen Fakultät Werthmannstraße 8, 79098 Freiburg.

Für nähere Informationen steht Ihnen das Dekanat der Philosophischen Fakultät zur Verfügung.

Source: H-ArtHist

New European Galleries at the Getty Center

EHIBITION: New Galleries for Medieval and Renaissance Scultpure and Decorative Arts, The Getty Center (1200 Getty Center Drive, Los Angeles), 10 May 2010 - ongoing.

The newly designed European sculpture and decorative arts galleries in the North Pavilion at the Getty Center are arranged according to period and theme, with different materials - including two-dimensional works of art - intermingled to visually and conceptually play off one another.

Each of the four galleries emphasizes a different type of collecting interest:
* Renaissance Art in Italy and Northern Europe, 1450–1600 is designed to evoke the atmosphere of a studiolo, a room in which a Renaissance collector would have reveled in the study of classical antiquity.
* Collecting in Northern Europe, 1450–1600 reflects an art patron’s refined taste and love of beautiful objects, which were often displayed in magnificent cabinets, like the room’s centerpiece from Augsburg, Germany. Interactive screens enable viewers to virtually explore its many facets.
* Sacred Art, 1150–1600 evokes a late-medieval cathedral treasury at a time when religious devotion inspired the making of sacred objects to be placed on altars for use in holy mass. Stained-glass panels, on view for the first time as part of the permanent collection, take advantage of the gallery architecture’s vertical height.
* European Glass and Ceramics, 1400–1700 showcases glass and maiolica-objects that, as works of art, transcend mere utility.

Click here to view the New Galleries.

PhD Studentship at the National Gallery

PhD Studentship: ‘Re-framing the Italian Renaissance at the National Gallery’, AHRC Collaborative Doctoral Award, University College London - Department of History of Art.

The UCL Department of History of Art in collaboration with the National Gallery, London is seeking to award a fully-funded PhD studentship from October 2010.  The studentship, which will support three years of full-time study, is funded through the AHRC Collaborative Doctoral Awards Scheme. The studentship is for a doctoral research project that aims to expand knowledge, understanding and awareness of the important collection of  Renaissance (late 14th to 16th-century) and Neo-Renaissance frames acquired, adapted and sometimes produced specifically for the National Gallery, London.

The thesis will research the social and artistic contexts in which the frames were made, acquired, adapted or removed, addressing early period artistic and patronal issues, the art market, changes in taste and the activities of individuals and bodies working for the Gallery in the 19th and 20th centuries. The thesis will aim to establish the history of the development of this diverse and complex collection over time and the factors, aesthetic, practical, political and sometimes accidental, that affected this development. The research will involve case studies in the framing history of particular works, sacred and secular, drawing strongly on the documentary and technical resources of the National Gallery as well as the Gallery’s collection of historic frames. The aim will be to understand and interpret the collection within institutional, national and international contexts and address the way Gallery and individual practice or policy continues to affect public perception of Renaissance paintings.

The student will contribute to activities both at UCL and the National Gallery, including the formulation of a small NG exhibition and provision of web-based material. The student will benefit from insight into and experience of museological and curatorial practice in Britain’s leading museum for Renaissance paintings. We are looking for a candidate with a background in history of art, the history of taste and collecting, museum studies or related fields. Italian language skills are required and some experience of documentary research is desirable. The successful applicant will need to meet the AHRC’s academic criteria for doctoral study and demonstrate the potential to develop advanced research skills. Candidates must also meet the AHRC’s requirements for UK/EU residency. Standard tuition fees and (for UK students only) a maintenance grant will be paid by the AHRC for three years.Research will be supervised jointly by Dr Alison Wright of the Department of History of Art, UCL and Dr Susanna Avery-Quash, Research Curator for the History of Collecting at the National Gallery, London.

For informal enquiries and further details, please contact Dr Alison Wright.  See also the Research Department for further information on Collaborative Doctoral Awards.

Applications should be made through UCL and candidates should send two complete sets of the application form (Downloadable Application Form (pdf) only), including references, transcripts and a statement outlining your suitability for and interest in this research proposal.  One is to be directed to Admissions (The Registry, UCL, Gower Street, London  WC1E 6BT), and the other copy is to be sent to Lori Williams (UCL Department of History of Art, Gower Street, London  WC1E 6BT). Closing date for application:  1 June 2010. Interviews will take place at the National Gallery on Monday, 21 June 2010.