Entries Tagged as 'Call for Papers'

Music and Liturgy in Medieval Montecassino

CALL FOR PAPERS: Music and Liturgy at Montecassino in the Middle Ages, International Symposium, University of Cassino, Dipartimento di Antichità, Medioevo e Territorio, Cassino (Italy), 9 – 10 December 2010.

Over the centuries the Abbey of Montecassino has been the centre of development and diffusion of a particular tradition of music, liturgy, texts, writing and art. With its unique book heritage, even today the Abbey represents a monument of the cultural history of South Europe from the Middle Ages to present days.

The research on liturgical music at Montecassino in the Middle Ages has received over the past twenty years a considerable increase both in quantity and subjects, which have expanded into an interdisciplinary context, including the history of liturgy, the palaeography and the philology of music texts. These studies have opened new questions and new research areas that await further investigation. The main aim of the Symposium is to present current studies and identify the most fruitful perspectives of research.

Program Committee:
* Giacomo Baroffio (University of Pavia – Italy)
* David Hiley (Universität Regensburg – Germany)
* Thomas Kelly (Harvard University – USA)
* Marco Palma (University of Cassino – Italy)
* Nicola Tangari (University of Cassino – Italy).

Paper proposals should be sent to lectio@unicas.it before 31 August 2010. Each proposal should contain the name of the author, academic or institutional affiliation, e-mail address and an abstract of a maximum of 1500 characters (spaces included). The Program Committee will give an answer by 30 September 2010.

Click here for further information.

Courage and Cowardice in the Medieval World

CALL FOR PAPERS: AEMA’s seventh annual conference will be held from 18-19 November 2010 at the Old Senate Room, Irwin St building, The University of Western Australia. This symposium will explore the subject of Courage and Cowardice in the Early Medieval World, c.300-1100, across a range of disciplines.

Paper proposals from any relevant areas of study are welcome. Possible approaches and themes may include: representations in literature, culture and the arts; intellectual and religious understandings; social attitudes; gender implications; anthropological approaches; archaeologies of courage and cowardice. Papers on all subjects of the early medieval world will be considered, but those adhering to the theme will be given priority if a large number of abstracts are received.

Abstracts of c. 300 words for a 20-minute paper are now being called for from interested participants. Submissions of 3 x 20 minute paper panel proposals are also welcome. Deadline: 30 June 2010. Please supply abstracts, names of contributors and contact details to conference@aema.net.au.

Source: H-ArtHist

CFP: Networking Dürer

CALL FOR PAPERS: Networking Dürer. Art and Communication in the Era of  Media Revolution, Museen der stadt nürnberg - Albrecht-Dürer-Haus / Grafische Sammlung (Äußere Sulzbacher Str. 60, D-90491 Nürnberg), Samstag 4 December 2010.

Since 2002, the annual “Dürer Lectures” have become a well established, internationally renowned tradition. Generally, they have been dedicated to changing topics in order to explore the manifold links between the artist, Albrecht Dürer, his work and his influence. This year we would like to address our “Call for Papers” particularly to colleagues from fields bordering on art history and ask them to look at the Dürer topic from their perspectives. The Dürer Lectures are organised by the City of Nuremberg Culture Department, Nuremberg Municipal Museums and the foundation Albrecht-Dürer-Haus-Stiftung-Nürnberg e.V. In 2010, the lectures will be linked with the re-opening of the newly designed exhibition area in Albrecht Dürer’s House which will take the shape of a small gallery presenting original works from the Dürer era linked to the aura of the historical location.

“Networking” - this is only a modern word for a long established practice which helped Albrecht Dürer’s works to be integrated into the dense communication system of European Humanism, so that they became a world event in art history which has fascinated and enthused people until this day. Dürer, through his early active involvement with the medium of books and his life-long activity as editor, illustrator and finally also author, was also familiar with distribution channels and sales markets. He consistently made good use of this knowledge for the world-wide distribution of his graphic works.

Apart from book printing and graphic prints, Dürer was also intensely involved with a further medium which expanded rapidly after 1500: letter writing. Letters gave people a chance to stay in touch, beyond all class barriers, they communicated news from science and cultural life or enabled important personal contacts across the entire European continent. They were often meant for later publication right from the beginning, and were often of a very high literary quality. All this, of course, led to the desire to be in the presence of the personality of the correspondents, not only via their letters, but also through their portraits. This gave rise to two special genres of art, because they were small and handy: graphic prints of portraits and portrait medals which were easy to send by post. Dürer’s masterly engraved portraits of Pirckheimer, Erasmus and Melanchthon are proof of this, as are his designs for the two medals depicting the artist himself - the last authentic portraits of his lifetime.

The individual lectures should not be longer than 30 minutes each, and, as well as meeting academic standards, should also be suitable for a wider public. After the lectures, the programme provides for 15 minutes discussion. We are able to pay a fee of 200 Euros per lecture. We will also bear any travel and hotel expenses. Later publication in a conference volume is envisaged. We are calling for abstracts (approximately 400 words) from the fields of cultural science, history and communication studies, on the following topics:

- media revolution(s)
- culture of correspondence in the Dürer era
- postal services
- Dürer’s links to his Humanist contemporaries
- books and their letters of dedication
- graphic portraits in the Dürer era
- medal portraits
- communication studies.

We will also be happy to consider any other interesting suggestions. Please send your proposals by 14 June 2010 to Thomas Schauerte

Source: H-ArtHist

Früh- und hochmittelalterliche Buchmalerei

Call for Papers - XXXI. Deutscher Kunsthistorikertag, Würzburg, Julius-Maximilians-Universität, 23.-27. März 2011. E-Mail: info@kunsthistoriker.org.

GENIUS LOCI

In Würzburg und seiner Region ist seit dem frühen Mittelalter in bemerkenswerter Dichte und Kontinuität eine häufig internationalen Maßstäben standhaltende Kunsttätigkeit möglich gewesen. Dieses reiche und vielschichtige Patrimonium hat die Sektionsthemen provoziert. Sie nehmen dezidiert von solchen Aspekten der Würzburger Kunstgeschichte ihren Ausgang, die in weitere Horizonte führen und damit prinzipielles Interesse beanspruchen, zugleich neue Einsichten und methodische Reflexion fördern können. Besonders willkommen ist, daß dabei wichtige Arbeitsbereiche diskutiert werden, die auf Kunsthistorikertagen bislang kaum vertreten waren. Auch die Problematisierung des heutigen und künftigen Umgangs mit dem Erbe und nicht zuletzt unsere Verantwortung für die bildungspolitischen Voraussetzungen drängen sich in einer Stadt wie Würzburg geradezu auf. Das Motto beschwört also in erster Linie die gewiß inspirierende Substanz der Würzburger Kunstgeschichte, mit der sich zu konfrontieren auch Orts- und Museumstermine, Ausstellungen und Exkursionen Gelegenheit geben werden. Es regt darüber hinaus die Auseinandersetzung mit der Frage an, wie wir uns in Zeiten einer sich an globale, manchmal ortlos verschwimmende Weiten gewöhnenden Kunstwissenschaft der Herausforderung des historisch gewachsenen, komplexen Systems einer lokalen Identität angemessen stellen können.

Sektion 1: Früh- und hochmittelalterliche Buchmalerei, Wolfgang Augustyn, München / Fabrizio Crivello, Turin

Würzburg war seit Gründung des Bistums im 8. Jahrhundert ein wichtiges Zentrum der Buchmalerei, wie illuminierte Handschriften des 8. und 9. Jahrhunderts belegen; bekannt sind illuminierte Handschriften aus Würzburg ebenso aus ottonischer Zeit wie aus dem 13. Jahrhundert. Der Tagungsort lädt zur Frage ein, welche Bedeutung Kathedrale und Klöstern bei der Buchproduktion von der ottonischen Zeit bis ins ausgehende 12. Jahrhundert zukam und welche Anregungen dabei berücksichtigt wurden. Neben den Problemen von Stil und Ikonographie rückten in den letzten Jahren in der Forschung zur Buchmalerei vermehrt auch Fragen zur Funktion des Buchschmucks und zur Organisation und Arbeitsweise von Ateliers in den Blick. Neue Fallbeispiele können die vielfach ungeklärten Entstehungs- bedingungen von Handschriften im Hoch- und Spätmittelalter weiter erhellen. Welche Rolle spielen laikale, nicht bei geistlichen Gemeinschaften angesiedelte Buchmalerateliers in den Städten? Inwieweit kam es zu Herstellung und Buchschmuck unter Bedingungen von Arbeitsteiligkeit und Spezialisierung? Welche Verbindungen – Beziehungen, Abhängigkeiten, Differenzen – gibt es in dieser Zeit zwischen Buchmalerei und Wandmalerei?

Interessierte Kolleginnen und Kollegen sind herzlich aufgefordert, ihr Exposé (1-2 Seiten) an die Geschäftsstelle des VDK zu senden. Die Auswahl der Vorschläge (pro Sektion sind fünf 30-minütige Vorträge möglich) nehmen in gemeinsamer Sitzung die Sektionsleiter/innen und die Vorstandsmitglieder vor. Einsendeschluß für Exposés: 25. Mai 2010.

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